WHAT'S THE STORY?
2021
Any attempt to define the characteristics of modern society is akin to defining the colour of a chameleon. The only characteristic of which we can be certain is the incessant change. People have become used to this, and most of us think about the social order as something flexible, which we can engineer and improve at will. Yuval Harari in Sapiens 2015 What are cultures if not stories? Yuval Harari's popular text examines human history through the stories we have told ourselves through the ages. In this exhibition, the multidisciplinary students of RMIT's Bachelor of Fine Art examine the stories that define them and the cultures they both inhabit and contribute to. From the Salem Witch Trials and contemporary appropriations of Manga to geometric formulations and gendered revisions, this exhibition exemplifies the colourful chameleon of thought and narratives suggested by Harari and this diverse community of artists developing their practice in 2021.
Exhibiting artists: Francesca Bardell, Alex Cairney, Mollie-Rose Chislett, Alex Danay, Natalie Daskalou, Jessica Ebeyer, Ellie Xiayou Fu, Charlotte Hall, Spike Isaacs, Hanieh Khamisi, Rose Smith, Maya Solomon, Tully-Rose Villiers, Levi Warren, Melosa Man Yi Wong, Ashley Worthington, Woo Hyun Kang, Anika Macaela
Curator: Benjamin Sheppard
The artwork "ID Flash" and "ID Scan" explores the impact of technology on our social positions. In today's world, we frequently flash and scan QR codes or barcodes to represent our identities or share information. This practice highlights how technology has transformed how we present ourselves and interact socially. By flashing a code, we can quickly verify our identities and gain access to various privileges, reflecting our social status. Conversely, scanning these codes involves detailed data collection, raising privacy concerns and influencing how we are perceived and treated based on our digital footprints. The artwork provides a critical view of how these technological tools shape modern social dynamics, balancing convenience and efficiency with surveillance and control.
Woo Hyun Kang, ID Flash, 2021, 53 x 75 cm (h x w), Digital Drawing
Woo Hyun Kang, ID Scan, 2021, 53 x 75 cm (h x w), Digital Drawing